《與動畫共思》（Thinking with Animation）
鄭如玉
逢甲大學外國語文學系副教授
催生這本書誕生的力量來自於國內外對動畫與理論有著熱情的諸多學者，更歸功於我的共同主編佐夫·布拉德利（Joff P.N. Bradley）的全力支持。在多年的研討會中，鑽研動畫與理論的學者們逐漸建立起革命情感，透過動畫中的影像跨越彼此的時空阻隔。編輯此書時，我看到夥伴們完美地結合動畫與理論，心中十分感動！幸好這本書沒有因為疫情的關係而無法問世。
此書包含日本動畫、韓國的動畫與電影、美國的迪士尼動畫、圖畫書等，更援引許多哲學家的理論，例如德勒茲、瓜塔里、斯蒂格勒、班雅明、克莉斯蒂娃與海德格等，作者們致力於將影像本身視為催生思想實驗和思想機器的動力。此書收錄了以下精彩的論文，具象化了貫穿動畫與理論的情動力。
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TABLE OF CONTENTS
Introduction.......................................................................................
On the Elemental Forces in Worlds of Shadow and Depth
Joff P. N. Bradley and Catherine Ju-Yu Cheng
Section 1
Chapter 1..............................................................................................
On the Philosophy of Wind: On Madness and Technology
in Miyazaki Hayao’s The Wind Rises
Joff P. N. Bradley
Chapter 2.............................................................................................
Time in Movement: The Knotting of Thought in Makoto Shinkai’s
Your Name
Chaoyang Liao
Chapter 3.............................................................................................
Catastrophism and Creation in Shinkai Makoto’s Your Name
Catherine Ju-Yu Cheng
Section 2
Chapter 4.............................................................................................
A Masked Human Zombie: Aesthetics and the Ineffable Alterity
Woosung Kang
Chapter 5..............................................................................................
Towards a Phenomenology of Seduction: From Julia Kristeva’s
Sujet En Procès to Anti-shôjo
Maria Grajdian
Section 3
Chapter 6.............................................................................................
Return of the Gods—A Heideggerian Interpretation of the Sacred
in Hayao Miyazaki’s Princess Mononoke and Spirited Away
Edward McDougall
Chapter 7..............................................................................................
Walter Benjamin, Gilles Deleuze, and Mickey Mouse: Animation
in the Age of Technical Reproducibility
Alex Taek-Gwang Lee
Chapter 8.............................................................................................
War and Anime in the Age of Machine-oriented Ontology: The Case
of Mamoru Oshii
Toshiya Ueno
Section 4
Chapter 9.............................................................................................
Fortress-Cities: Ecosophy and World-Becoming in Contemporary
Japanese Popular Culture
Christophe Thouny
Chapter 10...........................................................................................
Beyond Upside-down Hugs: The BwO in Yoshiura Yasuhiro’s
Patema Inverted
Pei-Ju Wu
Chapter 11............................................................................................
An Ecopsychological Reading of The Little Prince
Su chen Wu
Section 5
Chapter 12............................................................................................
Repetition of the Different as Art of Adaptation: On the Animated
Adaptation of Dazai Osamu’s Run Melos! in the Blue Literature Series
Harumi Osaki
Chapter 13............................................................................................
No Hope in 1945? Story Framing and Film Semiotics in Anime
on Japan’s War
Joachim Alt
Chapter 14............................................................................................
Schizoanalyzing Emily Gravett’s Picture Books Little Mouse’s
Big Book of Fears and The Rabbit Problem
Chen-Wei Yu
